Bonnie is an acrylic painting of a kingfisher on stretched canvas (40 × 40 cm). The composition isolates the bird against a dark background to emphasise form and clarity.

The work focuses on structure, tone, and controlled colour rather than fine detail. Layered paint and selective texture are used to define key areas, with light shaping the form and separating it from the background.

This original kingfisher painting is suitable for collectors of contemporary wildlife art and acrylic paintings

POA

Sicari is an original acrylic painting of a blue jay on canvas board (30 × 40 cm). The composition places the bird on a branch against a bold, abstract background, creating strong contrast and visual energy.

The work focuses on structure, tone, and controlled colour rather than fine detail. The blue jay is defined through clear, deliberate marks, with attention to proportion and clarity. In contrast, the background is more expressive, built with layered colour and minimal use of impasto to introduce texture without overwhelming the subject.

The interaction between the controlled subject and the dynamic background creates a balance between observation and abstraction, keeping the image direct while adding movement and depth.

SOLD

Sora is an original acrylic painting of a mandarin duck on stretched canvas (40 × 30 cm). The composition positions the bird low within the frame, allowing the surrounding space to emphasise balance and stillness.

The work focuses on structure, tone, and controlled colour rather than fine detail. The distinctive markings of the mandarin duck are simplified into clear, deliberate shapes, with attention to proportion and clarity across the form.

The waterline and reflection are used to anchor the subject and introduce symmetry, while light defines the form and separates it from the background.

This original mandarin duck painting is suitable for collectors of contemporary wildlife art and acrylic paintings.

Orion is an original acrylic painting of a kingfisher on canvas board (30 × 40 cm). The composition places the bird centrally on a simple post, using a bold, warm background to create contrast and focus.

The work prioritises structure, tone, and controlled colour over fine detail. The kingfisher is defined through clear, deliberate marks, with attention to proportion and clarity. The background is more expressive, using broader colour transitions to support the subject without distracting from it.

Light is used to shape the form and separate it from the background, keeping the image direct and readable.

SOLD

Enoch is an original acrylic painting of a kingfisher on stretched canvas (40 × 50 cm). The composition captures the bird in a diving motion, suspended beneath a branch against a dark background, creating a strong sense of focus and contrast.

The work prioritises structure, tone, and controlled colour over fine detail. The kingfisher is defined through clear, deliberate marks, with attention to proportion and movement. The branch provides a point of reference, while the surrounding space isolates the subject and reinforces the sense of motion.

Light is used to define the form and separate it from the background, maintaining clarity despite the darker setting.

This original kingfisher painting is suitable for collectors of contemporary wildlife art and acrylic paintings

POA

Saoirse is an original acrylic painting of a white-tailed eagle on stretched canvas (24 × 30 cm). The composition presents the bird in a direct, close-up view, focusing on the head and gaze to create a strong and immediate presence.

The work prioritises structure, tone, and controlled colour over fine detail. The eagle is defined through deliberate, economical marks, with attention to proportion and clarity. The layered feather forms are simplified into clear shapes, maintaining readability while suggesting texture and depth.

The background is kept dark and understated, allowing the subject to dominate the composition. Light is used to define the form and emphasise contrast, particularly around the beak and eyes, creating a clear focal point.

This original white-tailed eagle painting is suitable for collectors of contemporary wildlife art and acrylic paintings.

Mallee is an original acrylic painting of an emu wren on wooden board (approximately 29.7 × 21 cm, A4). The composition places the bird in profile against a dark, subdued background, allowing the subject to remain clear and central.

The work focuses on structure, tone, and controlled colour rather than fine detail. The emu wren is described through small, deliberate marks, with attention to proportion and clarity. The distinctive tail feathers are simplified into clean, vertical forms, creating contrast against the darker ground.

The background is kept minimal and atmospheric, allowing light and colour to define the form and separate it from its surroundings. This restrained approach gives the piece a quieter, more observational quality.

This original emu wren painting is suitable for collectors of contemporary wildlife art and acrylic paintings.

Ellair is an original acrylic painting of a capercaillie, created on canvas board (approximately 29.7 × 21 cm, A4).

This piece focuses on a tightly cropped, intimate portrait—bringing attention to the bird’s distinctive features: the ivory curve of the beak, the deep, layered blacks of the plumage, and the striking red eye comb. The composition is deliberately close, allowing the subject to fill the frame and create a sense of presence and quiet intensity.

The dark, minimal background removes distraction, letting light and tonal variation define form. Subtle shifts in colour within the black feathers—cool blues, greys, and warm undertones—add depth without breaking the overall restraint of the piece.

There is a balance between realism and painterly interpretation, with visible brushwork used to suggest texture rather than over-describe it. The result is a focused and atmospheric study of the capercaillie.

This original painting is suited to collectors of contemporary wildlife art, particularly those drawn to darker, more dramatic compositions.

Nala is an original acrylic painting of a bee-eater on stretched canvas (25 × 30 cm). The composition isolates the bird to maintain clarity and focus on the subject.

The work prioritises structure, tone, and controlled colour over fine detail. Layered paint and selective texture define key areas, with attention to balance and proportion. Light is used to shape the form and separate it from the background.

This original bee-eater painting is suitable for collectors of contemporary wildlife art and acrylic paintings.

SOLD

Alfie is an original acrylic painting of a bird on canvas board (30 × 40 cm). The composition isolates the subject against an abstract background to maintain clarity while introducing contrast and depth.

The work prioritises structure, tone, and controlled colour over fine detail. The bird is rendered with a more controlled application of paint, while the background incorporates limited use of impasto to introduce texture and variation without overwhelming the subject.

Light is used to shape the form and separate it from the background, keeping the image direct and readable.

SOLD

This is an original acrylic painting of a robin on wooden board (approximately 29.7 × 21 cm, A4). The composition places the bird on a simple branch against a soft, muted background, allowing the subject to remain clear and central.

The work focuses on structure, tone, and controlled colour rather than fine detail. The robin is described through small, deliberate marks, with attention to proportion and clarity. The background is understated, contributing to a quieter, more atmospheric quality.

There is a subtle, naturalistic feel to the piece, with a restrained palette and gentle transitions that support a more observational approach.

This painting is currently exhibited at Logie Steading Art Gallery.

Jenny is an original acrylic painting of a wren on wooden board (approximately 29.7 × 21 cm, A4). The composition places the bird on a simple branch against a clean, cool-toned background, allowing the subject to remain clear and well-defined.

The work focuses on structure, tone, and controlled colour rather than fine detail. The wren is described through small, deliberate marks, with attention to proportion and clarity across the form. The background is kept minimal, providing contrast and emphasising the subject.

Light is used to define the form and separate it from the background, maintaining a direct and readable image.

SOLD

Caz is an original acrylic painting of a waxwing on canvas board (40 × 30 cm). The composition places the bird within a network of branches against a soft, open background, creating space while maintaining a clear focal point.

The work focuses on structure, tone, and controlled colour rather than fine detail. The waxwing is defined through deliberate, economical marks, with attention to proportion and clarity. The branches introduce a linear contrast, guiding the eye through the composition without distracting from the subject.

The background is kept light and understated, providing contrast and allowing the form of the bird to remain prominent and readable.

This original waxwing painting is suitable for collectors of contemporary wildlife art and acrylic paintings.

Onnen is an original acrylic painting of an osprey on canvas (25 × 30 cm). The composition presents the bird in a direct, close-up view, focusing on the head and gaze to create a strong, immediate presence.

The work prioritises structure, tone, and controlled colour over fine detail. The osprey is defined through deliberate, economical marks, with attention to proportion and clarity. The background is kept minimal and neutral, allowing the subject to dominate the composition.

The contrast between the dark markings and the bright eyes creates a clear focal point, with light used to define form and maintain sharpness across the image.

This original osprey painting is suitable for collectors of contemporary wildlife art and acrylic paintings.

Kamau is an original acrylic painting of a secretary bird on stretched canvas (50 × 60 cm). The composition presents the bird in a direct, close-up view, focusing on the head and gaze to create a strong and immediate presence.

The work prioritises structure, tone, and controlled colour over fine detail. The bird is defined through deliberate, economical marks, with attention to proportion and clarity. The distinctive head feathers radiate outward, introducing movement and contrast against the dark background.

The background is kept minimal and subdued, allowing the subject to dominate the composition. Light is used to define the form and emphasise the contrast between the soft feather textures and the sharper features of the face.

This original secretary bird painting is suitable for collectors of contemporary wildlife art and acrylic paintings.

Samin is an original acrylic painting of a hummingbird, created on linen mounted to board (approximately 29.7 × 21 cm, A4).

The composition is restrained and deliberate, with the bird positioned against a deep, dark background that allows its colour and detail to emerge with clarity. The iridescent tones of the throat—subtle greens and vivid reds—are balanced against the softer, textured whites and greys of the body.

The hummingbird is perched on a striking, warm-toned stem, which introduces a contrasting line of colour and gently anchors the composition. This element provides structure without overwhelming the subject.

Brushwork is controlled but visible, suggesting feather texture through layered marks rather than fine detail. The surrounding space is intentionally minimal, creating a quiet, focused study of form, light, and colour.

This original painting is suited to collectors of contemporary wildlife art, particularly those drawn to understated, atmospheric compositions.